Wednesday, June 15, 2016

Volume 37 - Chad Sylva




CHAD SYLVA







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The bright lights of the Las Vegas strip brings us our latest drummer. A city known for it's high quality live entertainment and the musicians who give it you every night.
I found such a gentleman in Chad Sylva. A hard working kat who is laying it down for various project in and out of state. I really dig promoting these guys because these are the people we see all the time when we go out for a nice evening and end up at a kool spot where there is live music playing. At some point we're gonna get some respect in this country..but i digress. Chad is a good guy who is sure break through and get some of those nice high profile gigs and ditch the day job.
But for now, he's Talkin' Chop with me and sharing with you.



Name or Stage Name:
Chad Sylva

Where are you from?
San Jose, CA

How long have you been playing?
Got my first drum set when I was 4, so 37 years…


What is or are your main genre of playing?
Rock and pop primarily, but also Progressive and Electronic percussion…try to play some of every style...

How did you get where you are now?
Lots of moving! Grew up in San Jose, moved to Nashville just before 2000, then returned to CA for 5 years, now I am in Las Vegas! Musically, it was listening to lots of music when I was young, then Jr high band learning to read music, later playing music at church really helped me learn to play in a band setting, play every other musical experience I can remember…you always learn something (even if its never do that again!…)

Have you set any short or long term goals?
Short Term, be able to play music full time, :Long term…make enough to perhaps retire someday!

Artists you would like to play for?
Sting, Peter Gabriel or Seal…Steven Wilson would be amazing to work with as well, or Jeff Buckley before he drown...



List some of your accomplishments
Played if front of 30,000 people at a show in Northern India…that was an epic rush! Working with great musicians and producers is always an accomplishment to me! Along with any auditions for groups I have ever won…one little victory at a time...

So, what's it like being a working drummer in Las Vegas?
It is in many ways similar to Nashville, it's who you know…although you have to weed through bands a bit more here than in Nashville…everyone is trying to climb the ant hill to sit at the top and not lose their place! There is a good network of drummers here who are supportive and can play! I think one of the misconceptions about Vegas is that there are lots of great gigs…when the economy went south, the breaks got put on the scene, and when it came back, the DJ’s came in with DubStep and Bottle service…made the music scene much more cut throat and dropped the wages...

Are you working mostly local or are traveling?
It is becoming mostly local , but I was just in AZ for a week long Casino gig…I was traveling more when I lived in Nashville, but in CA I would be all over the state, I still go back for gigs with friends…many of them wanted to kill me when I left the Bay Area! They would drag me back in a second if they could!

The projects you work with, are they original or covers?
Most of it is covers at this point…they pay the bills! I do like to do originals if the situation is right…I like working in the studio and arranging, but at this point, it would have to be a pretty established original act to vest a lot of time into...



I'm sure you're like most musicians, you can be really busy and then have some down time. When you get that down time, what do you do to stay ready?
Look for more work!! Lol! Its always feast of famine! I normally am constantly busy with many bands and rehearsing, but with the break in the action, I'm actually stepping away from playing and taking a break! letting my mind reset…I know lots of drummer that practice far more than I do, but i learned early on that when I would play every day for a few hours, I progressed less than playing for a day and taking a day or 2 off…let my sub-conscious mind work on things away from the kit and I would come back and play better and learn faster from taking some time off... 

What are your touring experiences, if any?
I toured in Australia, India and China internationally (would love to play in South America or Europe…they really enjoy live music!). Most the stateside touring was regional, like the south east…Touring is tough in many ways (even though it is rewarding!), you are away from family and friends, plus if you are in other bands, it holds them up or they get other players to fill in, or perhaps even replace you. Or if you are doing session work, if you are out of site, you are out of mind and it can dry up or slow down. At this point, I am reluctant to do tours unless the pay is substantially higher, not as an ego move, but because you miss out on more when you are gone at home that has costs that you may not see until later... 

Describe your current set up & gear - heads and sticks...ect.
I have a primary kit, a 6-peice Gretsch Renown Maple in Satin White. I also have a Traps kit for small venue/rehearsal work, that I also convert into an electronic kit (using Aquarian and Yamaha pads and electronics). My Cymbals are Soultone (been with for the past 6 years) in various models and sizes so I can have the right song for the gig/session. My sticks are SilverFox (been with for 8 years) - I go between 7A’a for light gigs to 5A or LR models for heavier live and studio playing. Heads are Aquarian. Pedals and Hats are Tama Iron Cobra. A Gibraltar rack rounds it out, but I still have stands for smaller gigs and needs. Also use DrumLite LED lighting system for the Gretsch kit and snares…adds a huge component to live shows! Audiences always dig the lights in the drums, and they deliver!



Do you have multiple kits and snares?
Just the Gretsch Renown and the Traps kit for now…although I would love to pick up an old Slingerland, Ludwig or Rogers vintage kit with a smaller kick drum! I had a Gretsch Catalina Jazz kit and I wish I did not sell, it sounded killer! Snares I have 6.5 Black Hawg (black beauty clone). The there snares I have are all custom built (by me) maples in various thickness, a 4x14 piccolo, a 5.5x14 with wood hoops and a 7.5x14 maple…would love to add more metal snares in the future (a Ludwig acrolite or hammered brass is next on the list!)

Which wood shells do you prefer?
I’m a maple guy primarily for the kit, but if the drums sound good, then I am into it! Since I scaled down having lots of kits, I found drums that can do what ever I need them to…Gretsch does that for my tastes…but I’m always open...

Do you have a “Dream Kit”? 
Not so much a dream kit, but more like a drum set that includes it’s own set up/cleaning crew and cartage!! Lol! I joke that I lift weights so I can move my drums and hardware bag! Although I would love to have a Tama Gong drum…they sound so cool but are so user unfriendly! Dragging another bass drum to mount upward on a kit is a little extravagant…but would still be bad ass! Then I would have to have the Octobans too, so yeah...

How would you describe your drumming style?
I would say a solid foundation with liquid dynamics and approach…more philosophical (ala Bruce Lee)…expanding when needed and contracting when necessary…like in a 3 piece band, there is more opportunity to fill spaces and be creative or busier (or just leave the space…), as opposed to a larger band and with keys, horns, multi-singers, when I will just lock down groove and play much more minimally. I think owning a studio and mixing tracks thought me to respect the frequencies…everything needs a place to sit to really be heard well, if it fights with another instrument or sound, both will get lost and truly not heard…as for my band mates, I have been described as tasty and choppy, I love to play rhythmic figures with a band, not just simply supply backbeat, to interact. But then recently a bass player described me as a "Meat and Potatoes" drummer…playing what is needed and not going overboard, so the one term I have heard a lot over the years is I play like a chameleon - blend in with the band in the context needed...


  Chad w/ Ziva "New Year's Eve" Live @ Viracocha





Why did you choose the drums?

My dad was a drummer, so drums were always around, as well as music being played, so it was organic in that way, I always played since I can remember. I played in band in school, garage bands, church bands…just was always playing…later on I learned percussion (congas and the hand drums…)

If you weren’t playing drums, what would you be doing?
Some management job in Transportation or Logistics…Thought about becoming a chef, but that is way too much work for the reward and pay, music is bad enough…lol!

How has drumming impacted or changed your life?
I have been able to travel the world playing music, meet some interesting people and create art...

Are you a full time musician?
Trying to be, but I still have a day job as an independent contractor doing delivery work a few days a week, been thinking about teaching again as well...

Do you get a chance to check out the local scene, when you're not working?
Not as much as I would like…I will go to the local musician jams and sit in sometimes, or just listen and meet local players...

Give us 5 of your drumming influences? why?
Only 5??? Lol! 

Neil Peart is at the top of the list. I first heard Rush when my dad brought home Exit…Stage Left when I was 6 and I heard the drum solo for "YYZ"…that just tripped me out that drums could make those sounds and be more than the Boom, Tap, Boom Boom, Tap drumming I had heard before. I became a big fan, plus his thoughtfulness in both drums and lyrics was intriguing to me…Bill Bruford is another one of my favorites…he was the first drummer that had a sound and style I could recognize growing up in all of this groups (Yes and King Crimson in particular…) The command and temperament he brought to his music and drumming in general are really deep…Stewart Copeland is another strong influence on me…the beat on 3 was cool, but what he did on the hats was just unreal! I remember trying to learn “Walking on the Moon” when I was younger and did not realize that he was using delay on the hats, I though he was just that bad ass so I would try to work out the pattern without the delay (I used it  with some success when I played in a Police Tribute band called Stung)…Gavin Harrison is another guy that just twisted my perception of drums from his work with Porcupine Tree…he is very precise but not mechanical, and incredibly musical…he has just the right mix of technicality for the drummers to go nuts for, and also the musicality to impress the average listener that something different is going on in his mind and approach to drums…Vinnie Colaiuta…the guy is a beast! The over the bar phrasing he played on the ride/hats he used with Sting changed my approach to odd time (which I was already comfortable with), but added another layer…his unmistakable sound as well just made me want to understand more of what he was doing...




Name an inspiring concert that made you want to go home and start shedding?
There are 2 shows with different outcomes…years ago i saw Yanni in concert (yeah…I know…), but he has one of the best backing bands in the world, and Charlie Addams is just incredible! They wheeled out a 4 piece kit and he just killed it! He is literally one of the fastest cats I have seen on drums, save Buddy Rich and Mike Mangini! After seeing that I wanted to get that fast and clean….still working on it! The other show had the opposite effect…I saw a clinic with Vinnie Colaiuta in Nashville…he was so out of this world I wanted to light my drums on fire and not play again! Lol!! He is just that amazing, it was like, OK…I’m done now...

What types of things do you work on, in your practice sessions?
At this point, most practice is more learning songs than going over drumming concepts…But I have learned to create my own charts that work for me for learning songs…but when I do get to practice drums, I work on double kick work, snare ghost notes, drags, flams, triplet rolls…etc...



Do you record drum videos of yourself? if so, how has it helped you?
I have not really recorded drum vids of myself to watch as training tools, although I most likely should. I have been thinking of putting in mirrors in my practice room to look at things like stick heights, expressions, posture, things like that, things that you can see and adjust in real time, as opposed to play then watch...

Chad - Drum Solo in India

Do you sing and play drums?
I sing harmonies for bands that need them…I have a Sennheiser wireless headset mic and a Shure wireless monitor system that I use when needed, but lately its mostly just playing drums, plus when you introduce playing to sequences and click tracks, singing really uses up the my brains CPU...

Do you prefer studio sessions or live gigs?
I like them both, although in reality, they are two different art forms and disciplines. I love live playing for the energy you get from an audience, getting them moving and dancing to what you play is awesome! I also like the spontaneity of the stage, even in the most controlled situations, you can find musicality to grab on to! If a guitarist is soloing, If I hear them start to repeat and if or figure, i will jump right in with them rhythmically. Studio is the opposite, very controlled and precise, but it has its own avenues of creativity as well. Sometimes, I get tracks with programmed drums to play with, or as a guide post to start with. I have done sessions that were the song was written, but really constructed in the studio. I like when producers have an idea of what they want, get a few passes and then say “How would you play this” or “play it aggressive and with lots of fills”…those almost always get put into the song and end up changing the direction and composition of the track. I like to work with engineers as well. You can pick up all sorts of tricks and ideas from them on getting sounds and even approaches to drums...

Do you prefer being in a band (artist) or being a sideman?
They both have pluses and minuses…Side man is pretty cool though…I do sub gigs for other drummers and its like, “Here is the set list, show up here, bring this…and play!”. Most of my bands (even though they are cover) are band/artist oriented, I will help with song/set lists, arrangements and logistics/ details of the gigs. My background aside from drums is in logistics and management, so I ask a lot of questions and as a result, have been called “Band Mom” on a few occasions! I think drummers by nature are more detail orientated… we listen and see everything, on and off stage. I think we become that way because we have so much gear to keep track of!!

Do you have a crazy or interesting gig you can share with us?
I played a Country gig years ago in Albany, Georgia. It was booked months out and the venue changed from Honky-Tonk to Hip Hop/Crunk a few months before we got there, and we were NOT informed of the change. It went from Dukes of Hazard to Boyz In The Hood! Lets just say the only thing that kept us from getting killed was playing a bad ass cover of Purple Rain….


What are your words of wisdom for your fellow drummers out there?
Do as the old railroad signs say…”Stop, Look, Listen”. Always keep your eyes and ears open to changes on stage and in the music, drummers are the engine, but sometimes we go in different directions than we would want to go, but don’t derail the train! Music may be art, but bands are a team sport! Strive for balance in drumming and in life…no matter how much you love drums, if you overdo it, other things in life will suffer and burn out sets in…most important…embrace competition(healthy) and criticism! Learn from mistakes and weigh advice from others. I despise the current movement in the drumming community of “I’m in competition with no one, I just want to be better than I was yesterday…” That is fine for beginners but if you want to take it to the next level, simply comparing yourself to yesterday is going to lead to many auditions without winning the drum chair. Size up your local competition and evaluate where you need to improve, do it friendly, not like a tool! The point is use others as a proper bench mark, not what you did yesterday...

Last Words, Links, Hashtags and Thank You’s???
"It’s a long way to the top if you wanna Rock and Roll!!” Big thanks to Soultone Cymbals, Greg@SilverFoxDrumsticks and DrumLite! They have been great support for many years! I also thank my wife Deborah for helping see that music is not just a drum solo! And all the many incredible musicians that have shaped and guided me through the years of playing! 


https://www.facebook.com/chadsylvadrumfans/


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Yo Chad, thx  for sharing your drum life with us!
Do YOU, my brother!
Keep on hustling and laying down the grooves.
There are lots of situations out there that need a good drummer. We all know this! ;)
Everybody, please make sure you connect with Chad and drop a 'Hello' on him.
We have a great drum community and I dig the way we encourage & support each other.
Let's keep it up!

So, are you out there hustling like Chad?
Maybe you have you're own band?
or you're a studio kat?
Either way, you have a story tell and career to promote.
Let Talkin' Chop help you do that.


Contact: DeHaven de@oliomusic.com
www.facebook.com/talkinchop
www.facebook.com/dirtyde
http://twitter.com/talkinchopblog

#DrummersSupportDrummers  #TalkinChop  #DrumLife

I'M OUT!




Monday, June 6, 2016

Volume 36 - Zeke Martin





ZEKE MARTIN






First thing I'm gonna say is check out the track "Mark Of You" some very kool brush work by Zeke Martin and The Oracle. It's on their album SAY WHAT.

Some of you may know this Band Leader, Side man extraordinaire, Songwriter, Producer, Host of The Drum Show on Vimeo...yep, the list goes on. Zeke is a multifaceted kat with great touch and soul on his instrument of choice. He one of those katz that I always love to watch and study from because they make it sound so good and look so easy.
I didn't really know where to begin with Zeke, simply because he is very well versed and experienced. So like I always when faced with this challenge, I kept it simple and this is what cam of it. A great drummer Talkin' Chop.


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Name or Stage Name: Zeke Martin

Where are you from? Born in Belgium

How long have you been playing? 
30yrs playing the drums. 15yrs teaching. 

What is or are your main genre of playing? 
Funk Jazz. I also play jazz, R&B, Gospel, Reggae, Funk, Fusion and Rock 

How did you get where you are now? 
Meeting people and introducing my self to anyone and everyone. Passing out my business card to everyone. Practicing and learning my craft and the music business. 

What are your goals, short & long term? 
My goals are to make music that makes people feel good and tour around the world and share that music with people. 

Artists you would like to play for? 
Herbie Hancock, John Scofield, John McLaughlin that's all I can think of right now. 

You have done a lot since the age or 12. Can you give us a few of your favorite high lights: 
highlights I would say are: my band touring to Malaysia, Playing at NAMM two yrs in a row. Playing for the Red Sox in 2004. My band releasing 6 albums. 





I saw you were playing in a band called Paper Parlor, Do you play with them all the time? I don't actually I was just subbing for their drummer. I have my own band called The Oracle. 

So, with The Oracle.... are you working on a new album? 

 Zeke Martin and The Oracle are about to release our 6th album entitled #suf should be coming out in September. 

"One Year"


What other projects besides The Oracle do you have going on? I perform with a couple bands as a side man. Lance Martin Band (no relation). Ben Hillman Band. Jonathan Singleton Band

Do you like being a freelance musician or would you rather have one central project? 
I like both because my band is central but I like playing with other musicians as well. 

Describe your current set up & gear - heads and sticks...ect? 
My set it a 5 piece Creation Drums custom drum set. Cymbals are Zildjian. Sticks are Vic Firth signature Zeke Martin Stick. Everything I use I'm endorsed with. Companies are: 

Endorsements:

Zildjian Cymbals

Vic Firth Sticks

Creation Drums

Kickport 

Chord & Major Earphones Sedo Audio

Beato Bags

Kaces 

Grombal

Cymbal chief

Evans Heads

Rooster Thrones

Drum Tags

DeCreshendo Jewelry 


Vic Firth - Performance Spotlight



Being that you have to be a chameleon musician, Do you have an array of gear to fit the situations your in?
most of the time I use the same kit for all the shows. I mainly change what cymbals I use depending on the style of music I'm playing. 

Which wood shells do you prefer? 
I really like maple for my drums and birch for my kick 

Do you have a “Dream Kit”? 
 What I'm using now. Creation Drums





How do you describe your drumming style? 
Well I try my best to be as versatile as possible so I can play with any type of band that calls me. 

Why the drums, was it your fathers influence? 
Kind of. My father Stu Martin played drums so I guess I wanted too. My mother said "be a garbage man you'll make more money". But I wanted to be a drummer. It's in my blood 

If you weren’t playing drums, what would you be doing? Playing tennis or acting. 

How has drumming impacted or changed your life? 
I grew up on stage. With my father being a musician and my step father being a lighting designer I use to this life style and I wouldn't change it for anything in the world. 




You also have an interview show on Vimeo, The Drum Show. Where you interviewed a number of well known and accomplished drummers.
Is that still happening? 
I started the drum show because I wanted to world to know that there are a lot of drummers out there that are making a living playing drums and not just the 5 that you always hear about. I did the drum show for 5 years. I don't do the show anymore. It was great talking to all those drummers and learning from them. You can still check out the videos at www.vimeo.com/thedrumshow


Are there a couple of shows that stick out for you? 
Actually no, I loved every single show they were all great. Each individual one. It was a lot of fun and a pleasure to talk to every single drummer I talked to. 

Are you involved in the local music scene in your hometown, other than just playing? 
Well I have a consulting firm called EZ Consulting where I give advice to musicians that need help with getting to the next level in the music industry. ezconsulting@gmail.com

Name 5 of your drumming influences? why? 
Stu Martin - my father. Ron Savage - my first drum teacher. Steve Michaud - my last drum teacher. Helped me get to the next level. And Dennis Chambers - well because it's Dennis Chambers. I really love his playing and his pocket. 

Name an inspiring concert that made you want to go home and start shedding? 
First time I saw Dennis Chambers play live. I was like oh my god I want to go home and shed. 

How much time do you practice? 
When I was coming up I was practicing 6-8 hrs a day. Now with life, teaching, gigs and family. I try to practice at least 5-7 hrs a week. 




What types of things do you work on, in those sessions? Most of the time I work on rudiments around the drums. I like it to be spontaneous when I'm on the band stand. I just wanna make sure that if I hear it I can play it live and not have to worry about it and have it come out naturally. 

Do you record drum videos of yourself? if so, how has it helped you? 
I record videos of my band performing but I don't really watch them. I post them for other people to watch. So if they couldn't make it to the show then they can watch it online. 


Drum Solo




How would you describe your original works? 
Funky with some jazz in it. Something to make you groove and feel good. 

For some of our up & comers, can you give a little advice for being a "studio drummer" vs. the "live gig" drummer? 
Best thing I can say is learn how to play with a click track. In the studio that's the most important thing and keep it simple. Play the music not drum solo the whole time. 

Do you have a crazy or interesting gig you can share with us? 
I did a gig a long time ago with this hip hop band and we were playing when all of a sudden we all see this thong fly up on to the stage. We stop look at it and then keep playing. That was a fun show. 

What are your words of wisdom for your fellow drummers out there? 
I tell say this to all my students or when I'm doing clinics. Listen with your eyes and look with your ears. 

Last Words, Links, Hashtags and Thank You’s???
For more information you can check out my website at:
#ezmstepitup 
I would like to thank DeHaven for reaching out and doing this great interview. Big thanks to all my companies, GSD Management and of course my amazing wife and son. 


Mna, That was some kool stuff right there! Zeke Martin is the truth and I am so glad he shared a little bit of his drum life with us.
You guys have to get some of his music. It is versatile and beautiful. If you like listening to musicians just play and vibe, then you will be a fan of Zeke and his music.
If live in his neck of the woods go check him out and say "Hello"
Let's support Jazz in all its forms and its musicians, ya dig?!

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Thank you Zeke, for taking time out of your busy schedule to Talk and little shop. I appreciate your talents and works.

We do it all here peeps, Rock, Funk, Jazz, Gospel, Reggae ect...if you play it, we want to share it and promote it.
Are you in a band? Do you teach? Are you a hired gun? whatever the situation, let's share it with the world.
Contact me:

DeHaven - de@oliomusic.com
www.facebook.com/dirtyde
www.facebook.com/talkinchop
http://twitter.com/talkinchopblog

#DrummersSupportDrummers  #TalkinChopBlog 
 #DrumLife

I'M OUT!

Tuesday, May 31, 2016

Volume 35 - David Dusseault






David Dusseault




We're off to the great North West to check out a young man who is laying down some heavy grooves for a band called Avoid the Void.(say that 3x's fast)
David is a drummer who is definitely passionate about his band and their success and rightly so. He is a solid driving force and has the chops to back it up. I was digging his studio sound, as it a bit different for the genre and I think, refreshing. As usual, meeting David was a friend of a friend kinda thing and I got to pitch my schpeel about chatting it up about his drum life. He agreed and now you guys get to read all about him and his band, right here on Talkin' Chop!


Name or Stage Name:
My name is David Dusseault.

Where are you from?
I'm from Kirkland, Washington.

How long have you been playing?

I've been playing for about 11 years now. I started in 5th grade!

Have you had any formal training? (private lessons or music school)
In terms of musical training, I haven't received real formal training. I'm mainly self taught with the exception of elementary through high school. I did have some tips and coaching along the way, attended some clinics, and had a pretty amazing drum line instructor that taught me the concepts of practicing correctly! Other than that, mostly self taught.

What is or are your main genre of playing?
The main genre I like to play is metal. I like to play a little more on the progressive and groovy side.

How did you get where you are now?
I just practiced a lot and played a lot of shows with my band! 

What are your goals, short & long term?
Short term, my goals are to get a few tours under my belt and continuing to practice as hard as I can to further tighten up my playing, enhance my creative side, and increase my overall skill level. Long term I look forward to even bigger tours, educating, having the chance to endorse my favorite companies, and furthering my skills even more. I love to learn new chops, new concepts and I hope to eventually develop my own method of double bridging between pedals to teach!

Artists you would like to play for?
At the top of my list is always my band Avoid the Void, but if I had the chance I'd love to play with Periphery, even just one song. It would be awesome. I would also love to play with some really heavy bands at some point, or just play something like that live someday. I would also love to play for a band similar to Snarky Puppy, or some band similar to Moving Parts. I would also love to play in a group similar to Phantagram or Tycho. Even though Tycho is mostly electronic, I'd love to play an ambient style like that. 

List some of your accomplishments:
My accomplishments so far have been recording my band's debut EP The Trench, playing Slipknot's Knotfest in California, playing a day on the All Stars Tour also in California, going on a tour through the west coast, and soon to be a tour through half of the US.

Avoid the Void at Knotfest 2015

Your currently in a band called Avoid the Void, What kind of band is this?
It is a metal band. We're more on the progressive side of things. Dare I jump into the pool of sub-genres, progressive metal core? Basically we like to get heavy, play some complicated riffs, play some simple driving riffs, play some really melodic riffs, and sing! It's pretty hard to describe our sound. Soon enough though, there will be songs coming out that describe our sound a little more than even the Trench does.

How did the band come about?
The band was formed a very long time ago by our Vocalist and guitarist at the time, they formed it as a jam group in middle school. They eventually wrote their own material and began to gain members. At some time later I joined and we decided that we were going to be a metal band because why not? We then wrote our first song as a band. Then we started playing shows and trying to show what we had, we of course, were still trying to figure out what kind of band we were, dealing with member changes, and trying to write new music. After a while we gained a couple more members and the lineup feels more solid than ever. Our new music is really personifying our sound and feeling good. But all in all, we practiced hard and never let anything get us down and now it's only up from here!


Avoid the Void

Are you one of the songwriters in the band?
I help write songs sometimes. My guitarist does most of the writing. The rest of the band helps organize and decide what parts fit or flow correctly. I help reorganize drum parts and rewrite them to fit my playing style or make them more realistic.

As Indie bands, you have to hustle to make things happen... do you perform any other roles in the band, other than drummer?
I definitely agree with the hustle. As for roles, I'm definitely a gear head so I help find gear that'll be useful and great for the band. I'm also very good about loading gear in and out, but I guess that comes alongside being a drummer. Other than that, no other roles!

How would you describe the bands dynamics? Do you guys work well together?
I'd actually describe our band as having one of the greatest dynamics around. Not to sound too arrogant, but I believe it's true. We are all great working together, we have just the right amount of fun and work. We all put in our share, and vibe really well together on and off stage. Outside of the band, we all hang out and are best friends. I feel it helps the dynamic incredibly. I love my bros.

So, I'm listening to your single "Prototype" from 2013. You drum sound in pretty open and natural, was that your idea or the producers?
Oh Prototype, that's a story. So as you know it was our first single. It was all our first real time in the studio so we didn't really have any idea what we were doing or what we were supposed to do. We were all so young, I was 18 and our singer was 14 at the time. That was the first song we wrote together as a band. It was also the first real band experience besides shows we had. So to answer the question it was the producer's choice to have the drums sound like that. But the single no longer really reflects the band or our sound much any more. It was fun experience and a good memory though!
I mention this because sometimes bands in this genre, the drums are so processed, that you can't tell if there is an actual person playing:
It's true, a lot of times you can't. The band and I like to record real drums for our music. For future recordings we are planning on having a full and real sounding drums. I'm a really big fan of the drum sounds on Periphery's Alpha and Omega. They are really big, but natural. I'm looking forward to powerful and human sounding drums on future recordings.

Has the band done any touring?
Yes! We've only done one real tour as of right now, but we have a second one almost fully booked for this coming summer. We also plan on touring a lot more in the near future.



Is Avoid the Void the only project you're working on at this time?
It is the only project at the moment, but I look forward to working on side projects or maybe doing some session work on the side in the future!

Describe your current set up & gear - heads and sticks...ect?
My current setup is:

DW Collector's series 4 piece. 8x10 and 9x12 rack toms, 14x16 floor tom, and 18x22 kick.
I have the 10in tom mounted to the left of my hi hat stand, and the 12in and 16in toms in a two floor tom configuration.

DW Collector's series Black Nickel over Brass 5.5x14 Snare Drum

I use Evans heads, EC2 Clears for tom batters, Genera Resos for tom resonants, Emad 2 and Emad Reso for the Kick, HD Dry for snare batter and Hazy 300 for snare side.

Cymbals from left to right. Meinl 14in Byzance Vintage Sand Hats Meinl 18in Byzance Vintage Sand Medium Crash. Meinl 10in Byzance Dark Splash Meinl 20in Byzance Jazz Thin Crash. Meinl 21in Byzance Extra Dry Transition Ride. Meinl 20in Byzance Extra Dry China. Meinl 18in Byzance Vintage Trash Crash on top of upside down Meinl 18in Byzance Extra Dry China.

I have all DW 9000 stands and pedals with a hi hat stand, double pedal, and remote hi hat stand on the right foot side for the trash stack hats.

I also use Promark DC17 marching sticks to warm up with and Promark DC17i indoor marching sticks for the kit.



Do you have multiple kits and snares?
I don't have many drums yet, but I just have my Collector's kit and snare, and I have a 1961 Slingerland snare that I'm going to fix, shine, and replace the throw off for soon! 

Do you have a “Dream Kit”? 
I definitely have a dream kit. Though I have pretty much my dream kit at the moment, I would like to order a more unique collector's series and a more unique top edge snare some day. I would also like to build many cymbal sets and different customizations and kits for different situations! 

How do you describe your drumming style?
The way I've heard my style described is powerful, hard hitting, and intricate. I try to include as many nuances such as ghost notes and hi hat clicks all while being powerful live. I do hit pretty hard as well. I try to hit ever note with confidence and I also try to make my beats comfortable for other musicians to play over. Giving a solid groove and powerful backbeat without sacrificing technicality and spice!

"Breathe" from their EP TheTrench

Why did you choose the drums?
I chose the drums because my mom wouldn't let me play the flute! And I also could never keep still and drumming helps with that a lot. Plus I just love the sound of drums!

If you weren’t playing drums, what would you be doing?
If I wasn't playing drums I would have loved to be an astronomer. I love space and science. I've always been interested in science and all things space related.



How has drumming impacted or changed your life?
Drumming has given me the chance to play music for people across the world someday, it has also given me some of the best experiences I've ever had. I wouldn't give it up for anything. And someday I hope to inspire people through teaching, playing and many other things and hopefully change some lives for the better.

Is the music business your career?
It is not my career yet, it is my career goal for sure however. Currently I work at Guitar Center, but I hope to someday make a living off of playing, touring, and teaching!

Are you involved in the local music scene in your hometown, other than just playing in your band?
I am! I interact with many people in the scene in the area. And recently I've been trying to go to more shows to support the other musicians in the area who also support what my band and I are doing.

Name 5 of your drumming influences? why?
The first is definitely Matt Halpern of Periphery, he is my main influence and is a main reason I started developing the techniques I have. Along with the unparalleled groove and feel behind each beat, it's amazing. The second is Matt Garstka of Animals as Leaders, he is incredibly good, and I just love watching him play because he includes so much emotion and feel in his playing, he is also one of the most technical drummers of this age. Through this I've tried to develops my own emotion through my playing which is why my playing is powerful, I hit hard and I really feel each hit. A third influence is Alex Rudinger of Good Tiger. His playing is so accurate and precise all while not losing power or emotion. He has encouraged my playing to be precise with each action and really placing an actual note value to everything I play. A fourth is Benny Greb, he is a master of groove and feel. He also has many innovative ideas for new sounds on the kit that inspire me all the time. And finally there is Terry Bozzio. Not so much with the massive kit as with the more percussive playing style and technique. Before I really knew who he was I doing many things he did, and coming up with similar stylings and phrasings naturally. After I watched his videos I took after those percussive elements to certain aspects of my playing.

Name an inspiring concert that made you want to go home and start shedding?
Oh man, well, I love Periphery. They played a show in Seattle at El Corazon. I took a lesson from Matt Halpern, then saw them play. It was the most intense show I've ever seen. It was incredible! And they were so tight and in sync. It made me want to smash some drums for sure. 

Avoid The Void "The Trench"

How much time do you practice?
As much as possible, when I get a good chunk I like to practice at the very least three hours. I mainly practice outside however due to my apartment living. So it is all dependent on what the weather is like unfortunately. But soon I will find a real indoors place to practice my kit and I will do at least those three hours.

What types of things do you work on, in those sessions?
The first thing I do is warm up, I like to do various speeds and exercises to get all warm, the I do some rigorous independence exercises, then I may start practicing and tightening my band's material or begin learning another groups song. After I feel I've reached a point where my brain needs a rest I'll take a break then do bass drum control/speed exercises. Then I may go back to learning the material, a new chop, a new groove, or whatever I feel like learning!

Do you record drum videos of yourself? if so, how has it helped you?
I have! It really helps me hear what I could be doing better and look at my technique. Soon I will be recording a couple play-throughs and a Periphery cover. After I record those I will be judging my self based on performance pretty harshly to see what I can improve on!



Do you prefer studio sessions or live gigs?
At the moment I prefer playing live gigs. I think this because I like to be as solid as possible in the studio. I also have not had much time in the studio actually doing my own recordings other than 3 days worth. I'm very excited to spend a lot more time in the studio in the coming years though! Whether it be with my band or other projects!

Have you done the "sideman" gig, if so, do you prefer being in a band (being the artists)?

I haven't had much experience in the whole sideman gig. I hope to have some hired gigs in the future, but I'd imagine that I'd love being in a single band where I am the artist than being a hired musician for the most part. That doesn't close the door though! I'd love to experiment some day! 


Any crazy or interesting gig you can share with us?
The most interesting gig I've done so far would have to be Knotfest. It was held at the San Manuel Amphitheater in California. I did play a smaller stage, but we spent a lot of the day going to see artists we like, warming up, meeting new friends also playing our stage, and running around the place with a sign that had our time and stage on it. We were standing at the bottom of a hill near our stage and in between the two main areas and yelling our time slot. Our bassist would yell random things like "wanna see how many grapes I can fit in my mouth? Come see Avoid the Void at the Headbang stage at 4!" Or "Come see Avoid the Void at the Headbang stage at 4 to see me play the bass with my feet!" That actually helped our turnout for sure though! We had about 300 people at our stage! 

What are your words of wisdom for your fellow drummers out there?
My best words are to always practice. Never let your current playing level get the best of you. You can always improve, get better and succeed as long as you work hard and practice. Never give up. Lastly, have fun! This is an instrument, it's hard but very rewarding with time and effort!

Last Words, Links, Hashtags and Thank You’s???
I'd like to thank you for interviewing me and to thank Sean(Moriarty) from Varna for the recommendation! I'd also like to thank my band for all the support and love! 



Facebook: https://www.facebook.com/AvoidtheVoidBand/


Avoid The Void - The Trench EP
Avail @ https://itunes.apple.com/us/album/the-trench-ep/id1047924765


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I really dig seeing these katz go after it! Regardless of the genre or situation, seeing musicians follow their dreams is always a kool thing. David and his band Avoid The Void have a promising future. I want to wish David success in all his future endeavors.Thank You David for sharing!!

Yet again another kool drummer, sharing his story with us. I hope you guys check out David and Avoid The Void. Make sure you support them and encourage their efforts. Join them on Soc. Med. and drop by David's page and say Hello!


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